Intensity stereo - Revision history

Pepoluan: #REDIRECT Joint stereo

2006-12-01T16:51:46Z

← Older revision		Revision as of 16:51, 1 December 2006
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	Intensity stereo coding is a method that achieves a saving in [[bitrate]] by replacing the left and the right signal by a single representing signal plus directional information. This replacement is psychoacoustically justified in the higher [[~~frequency]] range since the human auditory system is insensitive to the signal phase at frequencies above approximately 20kHz.~~		#REDIRECT [[Joint stereo]]

	~~Intensity~~ stereo is by definition a lossy coding method thus it is primarily useful at low bitrates. It does not keep the phase information of the signal. for coding at higher bitrates m/s-stereo or stereo -coding should be used.

	~~[[Category:Technical~~]]

Pepoluan: Category:Technical

2006-09-11T22:45:23Z

Category:Technical

← Older revision		Revision as of 22:45, 11 September 2006
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	Intensity stereo is by definition a lossy coding method thus it is primarily useful at low bitrates. It does not keep the phase information of the signal. for coding at higher bitrates m/s-stereo or stereo -coding should be used.		Intensity stereo is by definition a lossy coding method thus it is primarily useful at low bitrates. It does not keep the phase information of the signal. for coding at higher bitrates m/s-stereo or stereo -coding should be used.

			[[Category:Technical]]

Rjamorim: delinkage

2005-07-02T21:45:15Z

delinkage

← Older revision		Revision as of 21:45, 2 July 2005
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	Intensity stereo coding is a method that achieves a saving in [[bitrate]] by replacing the left and the right signal by a single representing signal plus directional information. This replacement is psychoacoustically justified in the higher [[frequency]] range since the human auditory system is insensitive to the signal phase at frequencies above approximately 20kHz.		Intensity stereo coding is a method that achieves a saving in [[bitrate]] by replacing the left and the right signal by a single representing signal plus directional information. This replacement is psychoacoustically justified in the higher [[frequency]] range since the human auditory system is insensitive to the signal phase at frequencies above approximately 20kHz.

	Intensity stereo is by definition a lossy coding method thus it is primarily useful at low ~~[[bitrate\|bit rates]]~~. It does not keep the phase information of the signal. for coding at higher ~~[[bitrate\|bit rates]]~~ m/s-stereo or stereo -coding should be used.		Intensity stereo is by definition a lossy coding method thus it is primarily useful at low bitrates. It does not keep the phase information of the signal. for coding at higher bitrates m/s-stereo or stereo -coding should be used.

213.10.112.168: changed 2 kHz to 20 kHz

2005-01-05T19:51:05Z

changed 2 kHz to 20 kHz

← Older revision		Revision as of 19:51, 5 January 2005
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	Intensity stereo coding is a method that achieves a saving in [[bitrate]] by replacing the left and the right signal by a single representing signal plus directional information. This replacement is psychoacoustically justified in the higher [[frequency]] range since the human auditory system is insensitive to the signal phase at frequencies above approximately ~~2kHz~~.		Intensity stereo coding is a method that achieves a saving in [[bitrate]] by replacing the left and the right signal by a single representing signal plus directional information. This replacement is psychoacoustically justified in the higher [[frequency]] range since the human auditory system is insensitive to the signal phase at frequencies above approximately 20kHz.

	Intensity stereo is by definition a lossy coding method thus it is primarily useful at low [[bitrate\|bit rates]]. It does not keep the phase information of the signal. for coding at higher [[bitrate\|bit rates]] m/s-stereo or stereo -coding should be used.		Intensity stereo is by definition a lossy coding method thus it is primarily useful at low [[bitrate\|bit rates]]. It does not keep the phase information of the signal. for coding at higher [[bitrate\|bit rates]] m/s-stereo or stereo -coding should be used.

Mix de Rax at 12:12, 23 October 2004

2004-10-23T12:12:09Z

New page

Intensity stereo coding is a method that achieves a saving in [[bitrate]] by replacing the left and the right signal by a single representing signal plus directional information. This replacement is psychoacoustically justified in the higher [[frequency]] range since the human auditory system is insensitive to the signal phase at frequencies above approximately 2kHz.

Intensity stereo is by definition a lossy coding method thus it is primarily useful at low [[bitrate|bit rates]]. It does not keep the phase information of the signal. for coding at higher [[bitrate|bit rates]] m/s-stereo or stereo -coding should be used.